Critical Analysis, Compare and Contrast Characters Essay

Critical Analysis, Compare and Contrast Characters - Essay ExampleThe central theatrical role of the play, Clay has been presented as a twenty-year-old low-spirited cosmos, or, a Negro. Here the playwright presents the Negro as the wiz compromising his own identity in order to maintain a peaceful relationship with his blank oppressors. The playwright presents Clay as a typical bourgeois black male that Lula, his co-passenger, the representative of the whites, could easy recognize his life history. His counsel of dressing, style of speech and his demeanor help her recognizing his class, intellectual capacity and his precise nature with full of pretensions. The story of the play occurs in the train journey where Clay is attracted to the sexy, young woman, Lula, who begins a taunting seduction of him and invites herself along to his friends party. however she suddenly violent racist quarrel against him. Though Clay tries to control her with intellectual dexterity, he fails in his attempt and retaliates by slapping her twice and says that neuroses of black men deal be cured with her murder. But she stabs him when he made his apology for his feats and bend to regaining his shoes. After murdering him, she instructs other passengers to help her to throw his remains place of the train. The play ends when Lula approaches another black man in the same way she approached Clay by giving the audience the hint that the attitude of the whites to the blacks nurture a continuity. carriage Vessels is the central character of Amiri Barakas popular play The Slave. The play has been subtitled as A Fable in a Prologue and Two Acts, in which an old field-slave, Walker Vessels provides a brief ledger entry to the play in the Prologue. When the play begins he appears on the stage as raw revolutionary Walker Vessels. Vessel meets with his former wife Grace, a White woman, to take his children with him. Vessels kills Graces husband (Easley) as a Black revolutionary and appears as the old field-slave, as appeared in the prologue, when the play is concluded. The comparative study of the two characters brings out similarities as well as differences between the two characters, Walker Vessels in The Slave and Clay in Dutchman. The most important comparison between them is that both of them are Black Americans who had to undergo severe drop and are subjected for mental torture. It is the ill treatment from the part of Lula that makes clay reacting and the same leads him to his tragic death. Regarding Vessels, he was in addition confronted with the neglecting attitude of his former wife, Easley, a white woman. But contrary to the behavior of Clay, Vessels decides to protest against the injustice and kills Easleys husband and gets back his children, though it is not sure whether they survived war. Baraka presents the character of Vessels in a peculiar way a person one who fluctuates from laughter to anger, from tenderness to cruelty, from Standard Engl ish to Black English he even dances and makes up a song (Barrios). Comparing to Clay, Vessel is an eloquent person that he could enjoyment every means to express himself. A close observation of his way of expression reveals that his taking action is not only shown in his overt militancy but implicit in his spoken and body language of gesture and movement as well (Barrios). Comparing Vessel to a saxophone which can produce different notes and sounds that convey multiple moods will be quite apt to describe his character. But Clay is not a man who tries to meddle